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DOWNLOADS

RECORDINGS

Recordings
A woman in a blue dress dreaming
Beim Schlafgehen - Katya Roemer
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A woman gathering apples under a tree
Ne poy krasavitsa pri mne - Katya Roemer
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A winery scene with red and green grapes, a wine barrel, and a glass of white wine and a glass of red wine
Peel Me a Grape (demo) - Katya Roemer
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A landscape painting of rocky cliffs and the ocean
Tenderly - Katya Roemer
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A painting depicting two women distraught over the death of cleopatra, who is lying in a bed
La Mort de Cléopatre (excerpt) - Katya Roemer
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An art collage of a tree with hearts depicting leaves
So In Love - Katya Roemer
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PHOTOS

Photos
Eugene Onegin Katya Roemer
Bartered Bride Katya Roemer
Eugene Onegin Katya Roemer
A quartet of singers performing with a conductor and choir
Vanessa Barber Katya Roemer
Katya Roemer
Hand of Bridge Barber Katya Roemer
Eugene Onegin Katya Roemer
Amelia Ballo Katya Roemer
Katya Roemer
Eugene Onegin Katya Roemer
Katya Roemer
Bartered Bride Katya Roemer
Katya Roemer
Katya Roemer and another performer

REVIEWS

Reviews

A HAND OF BRIDGE | Geraldine

“Soprano Katya Roemer was a standout as Geraldine whose placid exterior masks nothing less than a profound inner monologue on life, love and mortality.”  A Hand of Bridge ... beautifully sung.”

- Georgia Rowe, Contra Costa Times

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VANESSA | Vanessa

"Katya Roemer is an artist to watch.  She is elegant on stage, in every way.  Her mature voice is capable of handling the coloratura of the Skating Aria and the lyricism of the love duet."

- Paul Stevenson, Opera Guide

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"... a strong, dramatic soprano capable of negotiating the flexible lines, dominating the opera's opening scene.  She was also a sympathetic actress, achieving the complexities of this bittersweet, repressed, vaguely aging woman."

- Charles Shere, Oakland Tribune

 

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RARE AREA | Soprano role

"Brilliant singing by Duykers and Roemer ... Both also acquit themselves admirably as actors."

- Winifred Mann, The Potrero View

 

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THE BARTERED BRIDE | Marenka

"An appealing and richly musical Marenka."

- Marilyn Tucker, San Francisco Chronicle

 

"... a warm, tender, loving performance.  Attractive physically and delicate in manner, she was most convincing as the innocent lover.  She maintained a precise, smooth line throughout."

- Robert A. Masullo, The Sacramento Bee

 

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TOSCA | Tosca

"[Roemer] looks very much at home on the stage ... She sings beautifully.  Her sense of interpretation and characterization is excellent ... It's a definite gift - and she has it."

- Giorgio Tozzi, KUOP Radio (Interview) Stockton,  California

 

"... a big, beautifully centered, warm soprano voice completely equal to a role often called a voice shredder."

- Dianne Runion, The Stockton Record

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LUISA MILLER | Luisa Miller

"The commendable cast of singers was led by Katya Roemer, in good and musical command of the title role ... Roemer has a clear, well-produced soprano voice."

- Robert Commanday, San Francisco Chronicle

 

"As Luisa, Katya Roemer builds marvelously through the first act to achieve real distinction in the second and third ... her voice is true, nicely modeled and consistently produced."

- Charles Shere, Oakland Tribune

 

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EUGENE ONEGIN | Tatiana

"Roemer has a lovely voice, clear and well-focused.  Her letter aria was a definite highlight."

- Janice Riese, San Mateo Times

 

"Roemer manages to convey through both voice and bearing Tatiana's inner strength and nobility of character."

- Cynthia Hall, The Palo Alto Weekly

 

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DAS LIEBESVERBOT | Mariana

“Katya Roemer was vocally exceptional.”

- Norman Lombino, The San Francisco Times Tribune

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BRAHMS | Ein deutsches Requiem

“... the soprano line lofted finely by Katya Roemer...

Robert P. Commanday,  The San Francisco Classical Voice

 

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VERDI | Requiem

"... an alluring sound and fine sense of phrase and line ..."

Scott MacClelland, The Prelude

 

"Katya Roemer ... shone with brilliance ... An exalted rendering of Verdi's Requiem Mass.

Philip Collins, Santa Cruz Sentinel

 

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MOZART | Exsultate, Jubilate

"Roemer's voice has a rich fullness and depth ..."

Larry Warkentin, Fresno Bee

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